Last time I tried to use Layar I was very far away from the model and I was still underground and could not see the whole model. This time I scaled it down and it worked much better. Here are the rest of the Layar images I have captured using the different QR codes I made:
Village Green Images: http://www.ceem.unsw.edu.au/content/userImages/TheVillageGreenatUNSW.jpg http://www.cricket.unsw.edu.au/Photos/Green%20Shield%20v%20CC.JPG http://www.unswbaseballsoftball.com/pb/wp_ea6df524/images/img73745c5a1245acb2.jpg http://lh3.ggpht.com/_s0bnlxQ8dr0/Rpt7siwRxvI/AAAAAAAAAEk/eJaWAJ86m0g/IMG_0165.JPG
Frank Gehry and Vitra Design Museum Research: http://www.galinsky.com/buildings/vitradesign/index.htm http://en.wikipedia.org/wiki/Frank_Gehry http://www.greatbuildings.com/buildings/Vitra_Design_Museum.html
Links on Interactive Poster Lead To: http://www.galinsky.com/buildings/vitradesign/index.htm http://www.design-museum.de/museum/ueberuns/index.php http://rebeccapennarch1390.blogspot.com/ http://www.unsw.edu.au
Panel 1: This new addition to the buildings of UNSW is to serve the purpose of a new Graduate School. The form was inspired by Frank Gehry’s famous Vitra Design Museum. The structure will stand at around 50 metres in height, and the area above ground will be completely sustainable. The area below ground is accessible through a spiral staircase, and will contain areas for tutorials to be held. The Vitra Graduate School will be a great asset to both postgraduate students and lecturers at the University of New South Wales.
Panel 2: The forms that will be located above ground have been inspired and directly taken from the forms that were prodruding from the original Vitra Design Museum by Frank Gehry. These new designs have been modified slightly to harmonize with the building’s surroundings and context. These spaces sit between 30 and 50 metres above ground level, held up by cylindrical forms covered in natural tree bark. This choice of material was deliberately chosen because it is a natural and sustainablematerial, and the spaces themselves are completely environmentally friendly. The rooms have plenty of windows so that the sun serves as the only light source for the space. To get up to the spaces there are spiral staircases, enclosed in the cylindrical organic forms holding them up so there is no need for energy used by elevators (that would probably be as slow as the ones in the Red Centre anyway). These spaces will be able to be used for meetings between lecturers and tutors, and perhaps students and lecturers. Some of the forms will be large enough to contain around ten offices for lecturers and others will be only be able to hold one or two large meeting rooms. These rooms will be spacious, light and environmentally friendly, a very important part of the design because it is one of the most important issues the world is facing today.
Panel 3: The spiral staircase is an important recurring theme in this re-envision of Frank Gehry’s Vitra Design Museum.The spiral staircase in his building is one of the most memorable protruding elements of the whole design, so in this re-envision of the museum spiral staircases are used in several areas. The underground part of the design is made from similar materials to the spaces above ground, in keeping with the theme of environmentally friendly and sustainable working spaces. The walls are made from planks of wood, with the ends of them facing the inside of the space. This will be a good natural source of insulation for the space below ground. The floor will be made from the same natural and unpolished wood that has been chosen for the outside of the forms above the ground. The spiral staircase is also covered with the same bark that covers the organic cylindrical shapes that hold up the spaces above ground. These hold the other spiral staircases of the building, and this connection between the different staircases creates integrity in the design of the Vitra Graduate School for UNSW.
The first image shows what the model looks like inside (the underground part) and shows the work benches and spiral staircase. The second image shows what it looks like when I look up to see the models that are located above ground. These are not shown very well in this Layar so I will have to investigate how to make this part of the model better and easier to see using Layar.
In these image captures you can clearly see the grid I am working with for this poster, and the progress I am making with the overall design and balance of each panel to make one coherent poster.
Some of the renders I have taken look ok, but the renderer is mental ray because I dont have the vray plugin and some of them dont look very realistic. So I have also taken some screenshots which I might use in the poster also because the materials and lighting look significantly better at certain angles in these than the renders. Here are some renders:
This set up of elements makes the posters more consistent as one whole document because the grid is clearer and the same shapes are used throughout the design. I think this will work better than my last idea. The grid I am using is 3x3 for all panels, but using it slightly differently on each one.
I have heard that there is to be a Graduate School in a few years at UNSW, so this is the reason behind this redesign of the Vitra Design Museum. The main design of this structure will be based on the protruding forms of the Vitra Design Museum, and will be modified appropriately for the context. This building will stand out from the ones surrounding it as the forms will be unique and memorable. The materials for the building will be mostly natural in order to not deter away from the shapes of the organic forms themselves, and also to address the issue of sustainability of materials, a very real and current issue the world is faced with today. This new building will stand around 50 metres in height and will have 4 main spaces above the ground. These will all be accessible through separate spiral staircases. There is also a space below ground that is not visible but is accessible through a spiral staircase in a hole in the ground, leading from the grass area below the other forms of the building. Because of the lack of elevators, and the fact that the spaces can easily get all their light through large windows that are spread generously through each space above ground, the building is self-sufficient and environmentally friendly.
These textures were chosen because they are mostly made from natural materials (besides the concrete and glass). This is important to my concept because these shapes that I was focusing on are the main aspect of the re-design so these materials are supposed to not stand out past the actual shape and forms of the spaces. The 10 textures shown include glass windows, bark, grass, polished wood, wood ends, concrete, grainy unpolished wood, bamboo, thatched roof and wood planks. (all textures retrieved from www.cgtextures.com on 18 October 2010)
Parts of the Vitra Museum that stick out are extruded and these are the only parts visible from above ground. People can travel down these parts to get to the space below. This shows an idea derived from a Library in Paris, with spaces suspended in a glass box. This shows an idea that is kind of like skewers, with elevators in the poles leading up to the spaces above. This would be a very tall structure. This shows the idea like the Seattle Library, showing the boxes and then how I might join them together to make a building.
My favourite of these 4 designs is the first one. It means that I can create 2 different Layars and it creates a dynamic landscape with a secret!
Here they have modeled the main boxes/spaces of the building and the second image shows how they have then linked them together; like connecting the dots.
I am particularly interested in the areas of the Vitra Design Museum that stick out, and it is interesting seeing these examples above of buildings that are made of many elements sticking out of them. This would be an interesting way to design the new Graduate School for UNSW on the Village Green site.
The Site:
These are images of the site and the buildings surrounding it, investigating the context: